She looked out to see Arnold Friend pause and then take a step toward the porch, lurching. He said softly, "Now, what you're going to do is this: Connie and her mother bicker constantly and disagree about almost everything. The gap between her former self and new, adult self is uncertain and dangerous.
The originality and innovation of O'Brien's invented form are what make the novel particularly compelling because its main theme — more so than even the Vietnam War — is the act of storytelling. He seems like a demonic figure, perhaps even a nightmare rather than an actual human being, but his true character is never fully clarified.
You're crazy—" "Yes, I'm your lover. His whole face was a mask, she thought wildly, tanned down to his throat but then running out as if he had plastered make-up on his face but had forgotten about his throat.
Connie liked the way he was dressed, which was the way all of them dressed: At home she dresses and speaks differently than when she is out. I cut this here to show you the progression from uncertainty and the possibly welcoming behavior of Connie to her feeling like maybe these guys were really creeps, and should go.
Prominent examples of this growing pressure are the Woodstock Music Festival ina gathering of music and people that supported peace and opposed war, and the violent anti-war protests at the Democratic National Convention in Chicago in Throughout the late 70s and early 80s, veterans struggled to receive recognition and to bring attention to the problems of post-traumatic stress disorder and survivor guilt from which many veterans suffered.
To further complicate the genre blending and blurring between fiction and reality, O'Brien creates a protagonist, a Vietnam veteran, named "Tim O'Brien. Evoking sympathy for Connie is difficult because she barricades herself from the world with the belief that she is better than it. Storytelling becomes an expression of memory and a catharsis of the past.
It is no different than the life of what every teen might experience. She sat, one leg cramped under her, and deep inside her brain was something like a pinpoint of light that kept going and would not let her relax. This quality is a characteristic of many fiction and non-fiction works that comprise the Vietnam War literature genre.
Vietnam veterans' return from the war — unlike the return of soldiers from World War I and World War II — was not celebrated or lauded.
He sounded like a hero in a movie, declaring something important. Her confident smirk and laugh at home give way to a more uncertain, giggly laugh and girly, pink mouth—which actually make her seem more immature. Because June goes out at night with her friends, Connie is permitted to do so as well.
He looked down at his boots, as if he were a little offended.The short story “Where Are You Going, Where Have You Been”, by Joyce Carol Oates is a prefect example of just that.
In this short story, the main character is a fifteen year old girl, named Connie. The young adolescent has two sides to herself; one when she is at. This quotation appears near the beginning of the story and explains the two-sidedness of Connie. At home, Connie appears childish, but away from home, she strives to appear sexy, mature, and seductive.
Connie’s mother envies Connie’s youth and beauty, which she herself has lost. At the end of the story, Connie’s mother is whom Connie cries out for when she is presumably attacked by Arnold. June - Connie’s older sister.
These two sides cannot remain separate from each other at all times and collide with each other, which this short story depicts.
The main idea in this short story is the sexuality of Connie and her struggle to keep her sexual and non-sexual side separate. Connie’s tentative teenage move away from her parents and towards independence has been unnaturally and disturbingly hastened.
Ambiguous Identity. The two central characters of “Where Are You Going, Where Have You Been,” Connie and Arnold Friend, have ambiguous identities.
Connie is the protagonist of the short story, whom the narrator follows through the whole narrative and whose perspective of the events he/she employs.
The girl’s outer characterization presents her as a teen of fifteen (p.l. 1) who has an older sister, Jane, and two parents with whom she does not relate well.Download